Huma Bhabha 85 PR could hardly dream of a better response to Unnatural Histories, her current solo show at MoMA PS1, than this ecstatic summary in The New Yorker:
A stunning abundance of recent sculpture and works on paper by the Pakistani-born virtuoso. Who would have thought that today’s strongest sculptor would advance forms of pedestalled figures with heart-wrenching, humanistic content? For all their slangy use of Styrofoam, wire mesh, crumpled drainpipes, bones, and other detritus – along with the more traditional wood, plaster, and bronze – Bhabha’s creations convincingly resuscitate several sorts of lapsed tradition, both primitive and classical. She’s our hip-hop-era Giacometti.
In its own rave review (called Huma Bhabha Does Rodin Meets Mad Max), The Village Voice calls Bhabha’s sculpture “a rare species of mesmerizing bravura 3D art.”
And New York Times critic Karen Rosenberg notes that the juxtaposition of the materials she uses is “arresting,” with the overall effect of the show being to “bookend the history of figurative sculpture, from ancient fertility icons to what could be the last vestiges of the human race.”
In this post from polich tallix foundry, you can find out more about Bhabha’s process for producing her lost-wax cast pieces – some weighing as much as 1,100 lbs.
Unnatural Histories continues at MOMA PS1 through April 1.